Final Paper topics

Three more options (and this is likely to be all of them):

5. Describe the depiction of marriage in Pride and Prejudice. How does Austen view marriage? Consider Mr. and Mrs. Bennet, Mr. Collins and Charlotte, the Lucases, and the Gardiners , and make an argument about how Austen describes married life.

6. Describe the narrative style of The Remains of the Day. How does Ishiguro reveal plot points without his narrator understanding them? What is the effect of that technique?

7. In A Christmas Carol, what is Dickens’s argument about the plight of the poor? Why does he use Christmas as the occasion for this argument?

final paper questions, part 1

Here are the first few questions that you may choose from for the final paper (which will be 5-6 pages).

1. Compare the representations of masculinity in "Regeneration" and "The Remains of the Day."

2. Compare the role of female friendship in "Regeneration" and "Pride and Prejudice."

3. Discuss the role of Nazism and the historical context of Nazi sympathizers in England, in light of "The Remains of the Day." This question requires some historical research (I will suggest a couple of sources in class; do not resort to Wikipedia, please.)

4. Consider the following poems: Sassoon ("The Kiss"), Owen ("Anthem for Doomed Youth"), and Brooke ("The Soldier"). How do these poems differ in their representations of war, and how do they convey those differing images?

a couple of video clips I'd like you to view

I wanted to compare these representations of Sherlock Holmes:

Here's Jeremy Brett as Holmes, in the final scene of the BBC episode "The Six Napoleons."
(Try to ignore the fact that the "Black Pearl of the Borgias" is clearly a marble.)

And this is Jeremy Brett as Holmes in "The Empty House" (the episode in which Holmes returns and Watson finds out that he did not, in fact, die with Moriarty). Start watching at about 4:50--the end of the clip is the beginning of Holmes's revelations about how he survived, which are not that interesting, but the interchange between Watson and Holmes after Holmes's reappearance is in many ways characteristic of the way Holmes treats Watson.

In a less fond moment--Holmes often abuses Watson, telling him how unintelligent he is. This may be the worst of those scenes. Poor Watson. This clip also alludes to their conflict over Holmes's cocaine habit, something the BBC played up in order to reform Holmes in the episode "The Devil's Foot" (a change from the Conan Doyle stories based on the fact that the series had a large youth audience). You can ignore the last little bit--I don't really understand why YouTube aficionados are so fond of setting random bits of television to irrelevant music.

This is Basil Rathbone as Holmes--possibly wittier? (In this clip, you get very little, luckily, of the Worst Watson Ever.)


And finally, the most recent: this is Robert Downey, Jr., as Holmes, demonstrating the analytical approach that Holmes uses. This scene is a little gross (at least if you hate boxing), but characteristic of the direction of this film (it's Guy Richie). For context, at the beginning of this clip, Holmes is getting his ass kicked. Holmes is, indeed, described as a boxer in the Conan Doyle stories.


And, last of all: a short clip from the opening of the BBC miniseries of "Pride and Prejudice," which introduces the Bennetts. Skip to about 2:30 if you want to miss the credits.

link to Agatha Christie short story

Please read "The Tuesday Night Club"--the first story in this collection, which is available in its entirety from this preview link.

formatting note (FYI)

Names of books; publications (newspapers, magazines); TV series; full-length plays; and book-length collections of prose, poetry, or drama all should be italicized or underlined. Titles of short stories, individual poems, articles, episodes of TV shows, songs, and one-act plays should be put in quotation marks.

Link to Sherlock Holmes

Here's the link to the PDF of "The Six Napoleons." Please print this and bring to class; I'd like us to have the same pagination.

adjustments to syllabus

The syllabus with adjustments is published on the right sidebar. Check it out. Highlights: we will discuss film adaptation and the upcoming paper on Monday, 10/18. Bring any questions you have about the paper. We will end with an introduction to Joseph Conrad and move on to The Secret Agent on Wednesday.

I have moved the discussion of Arthur Conan Doyle and Agatha Christie to 10/27 (they are short, and should be easy reads as you're finishing your papers). The war poems (Owen and Sassoon) will be discussed the week after Thanksgiving.